Andrea palladio four books of architecture window

Built as part of the Benedictine monastery on the island, the churchвЂ™s facade is tailored to present a public face to the town of Venice. The building is situated on the island of San Giorgio.

Because of its unique design, an attractive faГ§ade is almost always visible: the viewer who walks around the villa never encounter a boring subsidiary faГ§ade or a non-favourable angle.ДЄnother work that is emblematic of PalladioвЂ™s work is the San Giorgio Maggiore church. In this way, La Rotonda presents four equally spectacular views: each of the porticoes are a place from which one can contemplate and observe the beauty of nature. The loveliest hills are arranged around it, which afford a view into an immense theatre because one takes pleasure in the beautiful view on all four sides, loggias were built on all four facades.вЂ™ (Hoepli). Palladio describes the building in his book in the following terms: вЂThe place is nicely situated and one of the loveliest and most charming that one could hope to find for it lies on the slopes of a hill, which is very easy to reach. Palladio took the landscape surrounding La Rotonda into consideration. The quaint attributes of the Villa La Rotonda with respect to its environment are not fortuitous. Palladio was concerned with harmony and mathematical continuity and used the square and the circle as essential, yet elegant forms. At the center of the building, a dome emerges over a central, circular hall. Paradoxically, the design maintains its complete rigid symmetry without being overpowered by a sense of monotony and redundancy, and this is because of the sophisticated language that it uses. Palladio was able to design a serene, sophisticated construction by stressing balance, visual clarity, and uniformity. Also, on each side of the cube there is a temple pediment, which is a rejection of the hierarchy of a main facade overpowering the other sides (conventionally the temple pediment would only be placed on one side of the building to highlight the entrance faГ§ade.) (Abitare). The building is essentially a symmetrical square plan with identical porticoes projecting from each of the faГ§ades. In the plan (see figure 1), the circle is inscribed in a square, and the divisions of the rooms inside adhere to the rules of proportion, forming the cubic volume that encapsulates and hides the great circular space of the central hall (ibid). The Rotonda has an interesting central dome and its design lucidly illustrates the geometric basis of Palladian architecture (Abitare). The best example of this is the Villa La Rotonda, which is arguably his magnum opus. The villas designed by Palladio always followed the principles of symmetry, proportion, the use of orders, and the placement of a Temple front and a Palladian window (also known as the Venetian window). Most architects who came after Palladio (with the exception of Vincenzo Scamozzi) were not really interested in carrying out the themes and principles of PalladioвЂ™s work in terms of his search for harmonious proportions. Palladianism is a display of order and symmetry while also paying homage to antiquity in its use of classical forms and decorative ornaments (ibid). The main ideological underpinning of PalladioвЂ™s work was that architecture should be undergirded by reason and by the principles of classical antiquity that were found in old surviving buildings and the writings of Vitruvius (ibid). His style was very elegant and distinct that it gave birth to a movement named вЂњPalladianismвЂќ, a style of architecture based on his writings and buildings (Britannica). This made him one of the most influential figures in Western architecture. He is also known for his book вЂњTreatise I Quattro Libri DellвЂ™ArchitetturaвЂќ (which translates to вЂњThe Four Books of ArchitectureвЂќ) (ibid). Palladio was known for his palace designs (palazzi) and villas, particularly the Villa Rotonda, which was built in 1551 near Vicenza (ibid). He was an Italian architect who was renowned as the greatest architect of 16th century Italy (ibid). Andrea Palladio, also known as Andrea di Pietro Della Gondola, was born in November 30th, 1508 in Padua, Republic of Venice (Italy) and died August 1580 in Vicenza (Richardson).

Andrea palladio four books of architecture window